since cursed seemed dissatisfied with me saying this chart was "good" in vc yesterday, I will now review it in a more detailed manner.
the sliders in measure 18 to 34 represent the sound very well, and although some are easy to break, I don't think there is a better way to chart those kinds of sweeping basses.
the noisy sliders that come after are very visually interesting, and give you a feeling that a considerable effort was put into the section to more closely represent the otherworldly aspect of the voice sample.
the match swaps in measure 49 onwards are engaging and well implemented, a good way of making the movement feel more varied, while still being grounded in standards. though some may consider them excessive, I find that they have a good density, considering they are always placed in similar contexts and setups.
I have a small complaint for the next section, as I feel that for the matchstreams (and similar sliders) found in the beginning of measure 66 and 70, for example, it would be so awesome, it would be so cool if they were more similar to the wonky, wacky, silly sliders found in 98, 100, etc. as they are very cool and based, and very accurately represent the sound.
the cue point after that is solid. not much to say here.
the next section is just an improved version of the one starting at measure 65. also the wibbly woobly sliders are very cool and poggers. good usage of match on beat as well.
the section after that has more of those good good swaps.
the breakcore section is probably my favorite in this chart, it's very well charted, everything seems to fall into place and it really makes you feel like spider-man I- I mean, like you're playing those breaks on a drumkit.
the following cue point has some more of those solid and fun tap-match patterns.
not much to say for the rest of the chart, just pretty good charting all around. I especially like how the sliders start to go wide and wonky and silly.
the sliders in measure 18 to 34 represent the sound very well, and although some are easy to break, I don't think there is a better way to chart those kinds of sweeping basses.
the noisy sliders that come after are very visually interesting, and give you a feeling that a considerable effort was put into the section to more closely represent the otherworldly aspect of the voice sample.
the match swaps in measure 49 onwards are engaging and well implemented, a good way of making the movement feel more varied, while still being grounded in standards. though some may consider them excessive, I find that they have a good density, considering they are always placed in similar contexts and setups.
I have a small complaint for the next section, as I feel that for the matchstreams (and similar sliders) found in the beginning of measure 66 and 70, for example, it would be so awesome, it would be so cool if they were more similar to the wonky, wacky, silly sliders found in 98, 100, etc. as they are very cool and based, and very accurately represent the sound.
the cue point after that is solid. not much to say here.
the next section is just an improved version of the one starting at measure 65. also the wibbly woobly sliders are very cool and poggers. good usage of match on beat as well.
the section after that has more of those good good swaps.
the breakcore section is probably my favorite in this chart, it's very well charted, everything seems to fall into place and it really makes you feel like spider-man I- I mean, like you're playing those breaks on a drumkit.
the following cue point has some more of those solid and fun tap-match patterns.
not much to say for the rest of the chart, just pretty good charting all around. I especially like how the sliders start to go wide and wonky and silly.
all-in-all, a good chart. NEURO-CLOUD out of 9